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"Yes, I must have hated the Acrofts. That was once one facet of it. they'd thick rugs and delicate chairs and brilliant lighting and sturdy outfits and plenty of foodstuff and massive roaring fires. They walked around the earth another way, simply because they owned it--part of it--while no longer a handful belonged to me. And the opposite facet: they nonetheless requested me to take a seat at their desk; they supplied us month after month, notwithstanding we owed and forty-four cash years from the day we moved there.
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To the woodland at the shore of the dominion of the Isles, the orphan Pug got here to check with the grasp magician Kulgan. yet notwithstanding his braveness received him a spot at courtroom and the guts of a stunning Princess, he was once ailing relaxed with the conventional methods of wizardry. but Pug's unusual type of magic might at some point swap perpetually the fates of 2 worlds.
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For McDonald, interpreting Bourdieu, the Victorian literary text found itself in a predicament, that is, in a condition shaped by the design and format and marketing program applied to it by its publisher as well as its author. That text had been written by an author, but unlike Darnton's conceptualization of individualized, atomized authors and publishers, McDonald stresses the complexity of a literary culture. In turn-of-the-century London there were numerous groups and subgroups, many layers of status, numerous possible positions occupied by individuals in both categories.
Nevertheless, in the last twenty years the scholarship on reading and publishing in past cultures has convincingly demonstrated that the agency in question is human and social, not mechanical. 10 The significance of the new consensus, however, with its implication that print does not necessarily serve to fix a text, now or in the past that print is only relatively less malleable and unstable a form than the computer screen or the copyist's script - is just beginning to be recognized. Once the agency associated with the object-book is located in the collective hands of its authors, compilers, editors, plagiarists, printers, and publishers, along with those of people in such related positions as bookseller, librarian, and reader-aloud, it is possible to consider the complex way in which books mediate between author and reader in the lransmission of ideas.
12 One contributor to the section, Adrian Johns, has written extensively about this very issue. Briefly in a 1994 article, and in a full-length monograph, The Nature of the Book, in Igg8,Johns has demonstrated that: Where work has been done, its concentration on fixity has tended to draw attention away from, rather than towards, the labour exerted by actors to keep their products stable across space and time. The effect has been still to privilege the work of certain individuals and institutions over others.
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